Trompe L’Oeil Ceramics
Christopher David White accurately captures the decay of wood through ceramics.
Through his ceramic pieces White explores the reality of impermanence, often combining man and nature through treelike limbs and faces. “I seek to expose the beauty that often results from decay while, at the same time, making my viewer question their own perception of the world around them,” explains White. He hopes to highlight the fact that we are not separate from nature, but rather intrinsically connected to it.
"With nature undergoing a perpetual transformation, everything derived from nature is subject to the same repetitive cycle of growth and decay—of life and death. Change is a constant reminder that permanence is the ultimate illusion. It is through the creation of hyper-realistic sculpture that I explore the relationship between nature, man, and the phenomenon of impermanence. I seek to expose the beauty that often results from decay while, at the same time, making my viewer question their own perception of the world around them. To accomplish this, I begin by observing instances of decay within my surroundings that I find inspiring due to form, color, or texture. With clay as my medium of choice I then meticulously render by hand those elements, taking advantage of clay’s innate ability to mimic a wide variety of materials. I utilize trompe l’oeil as a stylistic choice to emphasize the concept that our understanding of the world is an illusion. The juxtaposition of natural and man-made features in combination with the skewing of scale, proportion, and material, helps in creating an altered perception – forcing the viewer to look closer."
"There is a peace that can be found in even the simplest things. Ordinary elements within our environments offer both visual and physical reminders of our connection with nature. I am inspired by the small, overlooked aspects of our environment, finding enjoyment in the unexpected discoveries that come from simply being observant of the minutia and incorporating those mundane forms into my work. Crumbling Brick, rusting metal, and rotting wood become sources of inspiration. In my observations I also see similarities between the processes that occur in nature and those that drive us. By combining both man-made and natural elements within my work I hope to highlight the fact that we are not separate from nature but are, in fact, part of it."